Concerning the foundling whose mother never reclaimed the pot of rouge she left behind*

When they say your mother’s in a gutter, you gutter rat,
you’ll never see marzipan, or the sea, I say that’s not true.

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Limina :       Shortlisted 2022 Wells Festival of Literature Open Poetry Competition.

Come back this time and I’ll stitch my toes to yours;
be your shadow even when there is no light.

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Thirty feet above the lake at Glendalough,
Kevin folded his body into a cave to pray,
but thirty feet high was no barrier to those
in need of signs and meanings, signs and meanings,

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Not until August do I begin to recognize composers, know who’ll unsettle,
who’ll induce drifting, drifting, drifting away to wall plaques, engraved
in days when wives were dead husbands’ relicts. Relicta: woman left behind.

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Ilaria Triptych.                                                           Runner-up in 2021 Poetry on the Lake Silver Wyvern Competition & nominated for The Forward Prize for Best Single Poem 2022

Competition Judge James Harpur’s comments on the poem:
Full of striking images, this multi-faceted, elegant poem gains in power and pathos as the voice of Ilaria scatters her thoughts from the beyond, reaching out and drawing us into her Renaissance world, a world circumscribed by status and gender that Ilaria has now escaped from.

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When the moment comes, it comes with the Tams      [written for the ArtWrite MOMENTS project ]

Song over, I feel an aching sadness, 

not because I know that fourteen year old me

walked to the bus stop alone and un-kissed, 

but because I’ll never again feel the hope I felt 

as I pulled that yellow daisy smock over my head.

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